Old Town of Corfu
Kérkyra, the capital of Corfu, is one of the most interesting towns in Greece due to the strong influence of the Venetians who for four-plus centuries controlled the island. So it strongly resembles an Italian city, a more savoury version of Naples comes to mind for some visitors. Like the other Ionian islands (except for Lefkada), Corfu was never occupied by the Ottomans, which gives it a very different character from the rest of Greece. But the town of Corfu has had other inputs as well: from the British, the French, the Greeks and the Romans whose ancient buildings are still in evidence at several archaeological sites and the excellent archaeological museum.
The compact, strollable old quarter, a protected UNESCO heritage site, nestles between the two Venetian fortresses; its oldest district, the Campiello, is a particular joy to wander aimlessly around. Although the German bombardment of September 1943 caused heavy damage, including the destruction of the sumptuous Belle Époque theatre-cum-opera-house, and most of the low Venetian walls or gates enveloping the town centre (including the Pórta Reále) were thoughtlessly pulled down by the Greeks late in the 19th century, enough has survived to make a pleasing, homogenous ensemble of monumental architecture, narrow lanes (the so-called kandoúnia) and quiet little squares with fountains in the middle. The population of the Town is about 30,000, not counting a large student population at the locally headquartered University of the Ionian, which makes it one of the more cosmopolitan island capitals.
On the west side of the Spianáda (Esplanade plaza), Napoleonic-French style is most evident in the Listón, an elegant arcaded parade modelled on the Parisian Rue de Rivoli. Under the arches shelter some of the most popular (and expensive) cafés on the island; the Olympia (aka Tou Zizimou) is considered the most venerable and stylish. Their tables overlook the Spianáda’s lawns, which used to host weekend cricket matches (a British introduction). Alas, parking demands have shrunk the pitch here and most matches are now held at a newish stadium out at Gouviá, but you can still sit here and sip a ginger beer (another British contribution). It was the French who landscaped the Spianáda, thus creating one of the most attractive town squares in all of Greece; for the Venetians it was merely a patch of waste ground, the site of old houses demolished to permit a free field of fire from the Old Fort, which lies east of the Spianáda, beyond the Contrafossa channel dug by the Venetians and now home to a fishing fleet.
Although originally established by the Byzantines during the 6th century, most of the existing Old Fort is of Venetian vintage; the British demolished most of their additions before handing the island over in 1864. Today you enter at the Schulenberg statue via a metal bridge, which replaced the old draw-bridge over the Contrafossa; the adjacent gatehouse has become an excellent small exhibit of Byzantine and post-Byzantine mosaics and frescoes. Further inside, there is the British-built church of Saint George, a popular snack bar, fortifications to climb around for excellent views over town (best before noon), and on the north flank of the fortifications a small marina (with a restaurant) on the site of the Venetian galley port.
Bounding the Spianáda on the north is the Palace of Saint Michael and George, built between 1819 and 1824 by Maltese stone masons working for the British, and used as the official residence of their high commissioner and the seat of the rubber-stamp Ionian Senate. Today it houses two museums, by far the more interesting being the Museum of Asian Art, containing almost 11,000 Asian artefacts collected by two Greek diplomats with exemplary taste stationed in the Far East. The original, east wing comprises mostly funerary statuary and bowls, pottery and blue-and-white porcelain from various Chinese dynasties. The newer, west wing houses an impressive miscellany: Hindu and Jain deities, relief work from Gandhara (a Hellenistic kingdom in present-day Afghanistan), Buddhist devotional art from every south Asian nation, Japanese folding screens and woodblock prints by such masters as Hokusai and Utamaro.
Behind the palace, once past the little Faliráki Lido with its summer snack-café, chapel and pair of all-year bars, Arseníou Street curls around the Campiello, allowing fine sea views across to Albania and Vídos islet, the final resting place for the most desperately ill or wounded casualties among the retreating Serbian army in 1916. From Arseníou, a flight of steps climbs to the Byzantine Museum housed in the single-aisled, timber-roofed 15th-century Andivouniótissa church. Once a private chapel belonging to two notable families, it was donated to the state in the 1970s, and now contains a wealth of icons from the 15th to 19th centuries, many from the so-called Cretan School; after Crete fell to the Ottomans, many highly skilled artists came as refugees to Venetian-held Corfu.
Nearby there is an Orthodox cathedral, but the primary church in the hearts of Corfiots is the one dedicated to the island’s patron saint, Ágios Spyrídon, just off the Listón, containing Spyridon’s mummified body. Originally a humble shepherd on Cyprus, he became a monk, then a bishop, and took part in the first Ecumenical Council of Nicea in 325AD. After his death in 348 or 349, various miracles were attributed to him, and his exhumed remains were found to exude a pleasant odour, a sure sign of sanctity. They were taken to Constantinople for veneration in the church of the Holy Apostles; when the city fell to the Ottomans in 1453, his relics (along with those of Saint Theodora Augusta) were sent to Corfu, where they arrived after three years of adventures. It is claimed that Saint Spyridon has spared Corfu calamity on four occasions: twice from epidemics, once from starvation, and, at the height of the 1716 Turkish siege, on 11 August, by appearing above the defending forces with a lighted torch and scaring the invaders away.
That day is now a local feast day of the saint, when his relics are paraded through the streets, as they are on Palm Sunday, Easter Saturday and the first Sunday in November. The soundtrack for the procession is always provided by one of Kérkyra Town’s famous philharmonic societies, rather confusingly, in Greek filarmonikí means a municipal marching band and not a symphonic orchestra as in the Anglo-Saxon world. There are two, or perhaps even three, competing, smartly uniformed bands in the town, and very good they are. (Corfu has a rich musical tradition, and historically many of Athens’ symphony orchestra players were initially trained in the island’s conservatories). On Spyridon’s canonical feast day (December 12) there’s no musical procession, but his church stays open for 24 consecutive hours from the night before for pilgrims to pay their respects. A goodly fraction of the island’s men are named Spyros (short for Spyridon).
Other traces of Kérkyra Town’s heterogenous religious past can be found in the Catholic Cathedral of SS James and Christopher on the stepped Platía Dimarhíou, still open daily for use by the over 3,000 local Catholics, all descended from the Maltese masons brought here by the British, and the sole surviving synagogue at Velisaríou 4, the Scuola Greca; just 60 Jews still live here, too few to support a permanent rabbi who is brought specially from Israel for the Rosh Hashanah and Yom Kippur holidays.
Above the old Jewish quarter and the Spiliá neighbourhood abutting the old port looms the New Fort, built between 1572 and 1645 in anticipation of the next, inevitable Ottoman siege. It’s a masterpiece of military architecture, with some later French and British modifications, but the main reason to show up today (in the afternoon) is for superb views over the old-town rooftops, or if there’s a special event inside.
Above Platía Dimarhíou, at Moustoxýdou 19, one of the many parallel lanes of Pórta Remoúnda district, is the Museum of the Serbs on Corfu, which minutely documents the experiences of the Serbian army and government-in-exile here, when nearly 140,000 soldiers took shelter on Corfu from January 1916 onwards: a little-known episode of World War I. Amongst their other notional allies, only France provided transport, supplies and medical attention to the defeated army, though a period poster, issued by a New York-based relief committee, makes interesting reading (“Save Serbia, Our Ally”) in light of the American 1990s demonization of the country.
The only significant sight or site in the sprawling newer quarters is the Archaeological Museum, a short walking distance south of the Serb museum at Vraïla 5. The most celebrated attraction is the menacing Gorgon pediment (c. 585 BC) from the Temple of Artemis, discovered in 1912 at Paleópolis, but rather unfairly it tends to eclipse equally noteworthy finds such as the earlier Archaic Lion of Menekrates, a small pediment from 500 BC showing the god Dionysos and a youth reclining at a symposium, and a dozen statuettes of the goddess Artemis in her primary aspect as mistress of the beasts.
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Kapodistrias Museum of Corfu
Museums
Solomos Museum of Corfu
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Museum of Ceramic Art
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Museum of banknotes of Corfu
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Municipal Gallery of Corfu
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Reading Society of Corfu
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Church of Agios Spyridonas
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Vlacherna Monastery
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Panagia Mandrakina of Corfu
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Panagia Spiliotissa of Corfu
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Saint Jacob of Corfu
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Church of St. Georgios
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Church of St. Eleftherios
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The Old Fortress in Corfu
Castles
Corfu New Fortress
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Temple of Kardaki
Ancient Sanctuaries